Several people have asked me how was the visit of the Museo Del Nocevento . Get there! First of all if, like me, you decide to go on Sunday unfortunately necessary that we charge at least two hours of good tail. Council then to go in the week (Thursday 'is open until 22:30) or, if you really must be Sunday, organized a great group of friends, so' to kill time in joy (we had a dozen, thanks the remarkable ability ' da PR di Carmen). Altra questione importante: non sbagliate coda, una delle due chilometriche file si dirige all'ingresso di Palazzo Reale, dove ha sede la mostra temporanea dedicata a Dali' . Peraltro sarebbe un'ottima alternativa.
Tornando al tema, a me la visita e' piaciuta molto. Abituato - per cosi' dire - alle ridotte superfici espositive di Palazzo Reale sono rimasto colpito anzitutto dall'ampiezza complessiva dei volumi di questo neonato museo civico. Molto carina, poi, l'idea della rampa ad elica d'ingresso, nonche' la vista su Piazza Duomo che si apre all'ultimo piano dal balcone coperto: peccato solo che tra vetri, e luci riflesse non ci siano punti da cui poter take a decent picture overview. To make the museum on the various horizontal and vertical levels on which 'distributed, the Palace dell'Arengario - dating back to the 30s of last century - and' completely "emptied" and rebuilt, leaving intact only the exterior . A 20 million euro project, which lasted more than three years.
The show opens with the famous "The Fourth Estate" of Pellizza by Volpedo and continues with a valuable collection Jucker (with Picasso and Modigliani) and the works of the Futurists: large space dedicated to Milan Boccioni, Balla, Carra 'and Severini. Very rich and interesting collection of prints, books and historical documents: a treasure trove of information the cultural and political fervor that inspired the pre-fascist. The upper floors are accessed sections on De Chirico (Of course, none of the great masterpieces), Morandi and abstract as the geometric Melotti (his work that I photographed for this post) and Fontana. Really amazing, sometimes funny and incomprehensible anyway - for the ignorant such as myself - the works on display in the final rooms of the various Manzoni (that of "artist's shit", so to speak), Marini, Uncini, Ancelin, Merz (with its funny Zebra Fibonacci), Boettger, etc ... Especially for this last section, it would be advisable to take a self-guided tour or, better yet, in the company of an expert, 'cause we will struggle as an alternative a cogliere il significato artistico di certe opere.
Least but not last: fino alla fine di Febbraio l'entrata e' gratuita... :-)
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